Anna is thrilled to be joining Theater an der Wien for the 2017/18 season as a member of the Jungesensemble. Anna will be performing on both the main stage and at the Wiener Kammeroper in a variety of role debuts, to include Melisande Pelleas et Melisande, the title in Arianna in Nasso by Porpora and Fiordiligi Così fan tutte. Links to the press release and Theater an der Wien's 2017/18 season programme can be found here:
Anna will be performing at 2017 Grange Festival in the role of Miss Wordsworth in Albert Herring, a role she debuted at the Opera di Firenze last season, to critical acclaim: https://thegrangefestival.co.uk/operas/albert-herring/
To keep up to date with Anna's news and performances, follow her on Twitter: @annabellasop
'Anna Gillingham, a brilliant Miss Wordsworth in 'Albert Herring' at the Teatro della Pergola last season, brings great vocal projection and authoritative phrasing [as Pamina]' - Operaclick, Mar 2017
'Anna Gillingham beguiles with her bell-like tone' - The Times, March 2014
'I was impressed by Anna Gillingham's beautiful voice with its timbre, full sound and controlled vibrato'
- Dala-Demokraten, February 2015
'Anna Gillingham is altogether captivating, and sings gloriously, especially but not only in the higher register'
- Manchester Theatre Awards, July 2014
'As the Governess, Anna Gillingham proved to have great stage presence and was vocally intense in the final scene' - Operaclick, May 2015
'Anna Gillingham shines when singing the unknown songs of Benjamin Britten... highly sophisticated vocal tones, the colouring of which moves somewhere between a luxurious red wine and a soft brown' - Nordbayerische Kurier, August 2014
'Anna Gillingham was stunning as the serene Blue Fairy, with a wonderful rich soprano' - Bachtrack, March 2014
'An especially fine performance from soprano Anna Gillingham as the cloistered wife Francesca' - The Guardian, November 2013
'Gaitanou's real success is in drawing a performance of such ferocity and complexity from Anna Gillingham's Salome... flowering into such a potent top, giving a glimpse of extraordinary things to come for this soprano' - The Arts Desk, June 2014